Issues : Accompaniment changes
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b. 14-16
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composition: Op. 23, Ballade in G minor
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In A, one can see deletions of the bottom notes on the 2nd and 3rd crotchets in b. 14 and 16. Initially, they looked as follows: e category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 23
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composition: Op. 23, Ballade in G minor
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As in b. 14 and 16, in the last two R.H. crotchets, one can see in A traces of removal of the initially written bottom notes, g. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 40
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composition: Op. 23, Ballade in G minor
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In A one can see that initially the 2nd and 5th L.H. crotchets consisted of 3 notes, as in b. 36. The size of the deletions suggests that the removed notes – b category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 41-42
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composition: Op. 23, Ballade in G minor
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As in b. 40, in each half of the bar, Chopin changed the structure of voices in the L.H. part – the initial version of notation repeated the versions of b. 37-38. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 54
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composition: Op. 23, Ballade in G minor
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The deletion visible in A allows us to decipher the initial version of this crotchet, i.e. probably C-G. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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